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- Oct 27, 2026 10:15am PT How Kazu Hiro Transformed Tom Cruise Into ‘Digger’ With Prosthetics for His Belly, Nose and Chin By Jazz Tangcay Plus Icon Jazz Tangcay Artisans Editor @jazzt Latest SCAD Film Studios Expands Backlot With New Soundstages, More Than 50 Backlot Facades 23 hours ago Quentin Tarantino Surprises Fans With 17 Minutes of ‘The Further Mis-Adventures of Cliff Booth’ at AFI Fest 3 days ago Why Olivia Colman Didn’t Get Splinters From Getting Intimate With Alexander Skarsgård’s ‘Wicker’ Costume 4 days ago See All Add us as a Google Preferred Source Comments Oscar-winning prosthetic makeup artist Kazu Hiro has been in the industry for over 30 years.
- He’s transformed Bradley Cooper, Gary Oldman, Charlize Theron and, most recently, Dwayne Johnson in “The Smashing Machine.” This year, he was tasked with transforming Tom Cruise in “ Digger ,” in which Cruise plays a Texas oil tycoon.
- But this isn’t the Cruise audiences are typically familiar with — the dashing Hollywood movie star who jumps off cliffs and hangs off airplane wings.
How Kazu Hiro Transformed Tom Cruise Into ‘Digger’ With Prosthetics for His Belly, Nose and Chin hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 27, 2026 10:15am PT How Kazu Hiro Transformed Tom Cruise Into ‘Digger’ With Prosthetics for His Belly, Nose and Chin By Jazz Tangcay Plus Icon Jazz Tangcay Artisans Editor @jazzt Latest SCAD Film Studios Expands Backlot With New Soundstages, More Than 50 Backlot Facades 23 hours ago Quentin Tarantino Surprises Fans With 17 Minutes of ‘The Further Mis-Adventures of Cliff Booth’ at AFI Fest 3 days ago Why Olivia Colman Didn’t Get Splinters From Getting Intimate With Alexander Skarsgård’s ‘Wicker’ Costume 4 days ago See All Add us as a Google Preferred Source Comments Oscar-winning prosthetic makeup artist Kazu Hiro has been in the industry for over 30 years. He’s transformed Bradley Cooper, Gary Oldman, Charlize Theron and, most recently, Dwayne Johnson in “The Smashing Machine.” This year, he was tasked with transforming Tom Cruise in “ Digger ,” in which Cruise plays a Texas oil tycoon.
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But this isn’t the Cruise audiences are typically familiar with — the dashing Hollywood movie star who jumps off cliffs and hangs off airplane wings. No, Digger is an aged man with jowls, thinning hair, a disheveled appearance and a belly.
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Related Stories Cynthia Erivo Says ‘Not Enough Credit Is Given to Intimacy Coordinators’: ‘They’re Often Given a Hard Time’ but ‘What They Do Is Important’ Cynthia Erivo’s ‘Bad Fairies’ Adds Kylie Minogue, Jonathan Groff and Catherine Tate to Voice Cast The film is directed by Alejandro González Iñárritu and also stars Riz Ahmed, John Goodman and Sandra Hüller and follows Digger, whose company causes a potential global catastrophe. That transformation could have taken hours — six to be precise.
Except Cruise didn’t want to spend that long in the makeup chair putting prosthetics on. He was convinced the team could do it faster, and Hiro did.
He pulled it off, finding a way to streamline the process. Hiro spoke with Variety about his process and how he transformed Cruise into the oil baron.
Kazu, take me through the process of you getting the script or signing on to do this and the concept you had of what Digger needed to look like from a makeup point of view. My agent called me and said Alejandro wanted to talk to me about this project.
I wanted to read the script before I met him, and I read it and it was amazing, with a great story. We had a conversation, but he’s supposed to be an oil tycoon.
At that time, he was around 76 years old, much older than the final look. I went to see Tom in London, and we had a meeting with him and Alejandro — it was an open idea at the time.
He was on a tight schedule because he was shooting “Mission Impossible,” but we set up time to do a 3D scan, live caps and photographs and I started to sculpt. Alejandro liked the first design.
As I was about to finish the sculpture and started to make a mold of each piece, he called and said, “Digger should be 67 years old.” So, I took another look and finished that in a few weeks. But I also made a third design, and the final look was a mix of those.
How many pieces was that design? It was full coverage — 12 pieces.
The test makeup took less than five hours. The second day went down to two and a half, which is a good time for prosthetics makeup.
But Tom wanted to be in makeup during rehearsals, which was six weeks before filming and we had to do it. Tom has spoken about this, but said, “I had a guy there with a stopwatch and I’m like, ‘OK, you see that time, six hours?
By the time we’re done, we’re going to get it under an hour,’” When Tom Crui
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