‘O Projeto’ Directors on Walter Salles’ Support and Screening Poetic Doc About Colonialism Ahead of ‘Dramatic’ Brazilian Elections That Offer a ‘Choice Between Good and Evil’

‘O Projeto’ Directors on Walter Salles’ Support and Screening Poetic Doc About Colonialism Ahead of ‘Dramatic’ Brazilian Elections That Offer a ‘Choice Between Good and Evil’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 23, 2026 3:35am PT ‘O Projeto’ Directors on Walter Salles’ Support and Screening Poetic Doc About Colonialism Ahead of ‘Dramatic’ Brazilian Elections That Offer a ‘Choice Between Good and Evil’ The ‘I’m Still Here’ director said he has ‘rarely seen the issues of colonialism and whiteness addressed with such relevance’ when speaking about Sabrina Fidalgo and Yvan Rodic’s road movie, screening at Mostra de São Paulo By Rafa Sales Ross Plus Icon Rafa Sales Ross Guest Contributor Latest Screen Brasil Backs International Distribution of Oscar Hopeful ‘Gugu’s World’ and Gramado Winner ‘Our Secret’ (EXCLUSIVE) 2 days ago Evolution Mallorca Brings Back Script Lab Pitches With ‘Sirat’ Producer and Oscar Winner Kim Magnusson Among Jury Members 3 days ago ‘The Debut,’ ‘Ink’ Among Evolution Mallorca Highlights as Festival Celebrates 15th Edition: ‘We Want the Island to Be a Thriving Film Destination’ 3 days ago See All Add us as a Google Preferred Source Comments Once the Black Lives Matter protests broke out in the U.S., Brazilian filmmaker Sabrina Fidalgo and Swiss photographer Yvan Rodic realized it was time to begin working on their passion project, “ O Projeto .” The documentary, developed and shot over the six years since, began its festival journey earlier this year at Brazil’s renowned Gramado Film Festival and now arrives to wider audiences at the Mostra de São Paulo . “O Projeto” (“The Project,” in literal translation) is a documentary road movie across several countries, including Brazil, Germany and Switzerland, stitching archival material, first-person interviews with renowned names such as Grada Kilomba and Djamila Ribeiro and poetic interludes to reflect upon the visible and invisible scars of over six centuries of colonialism.

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The film was born from the encounter between Fidalgo and Rodic, who each bring their particular subjectivities—as well as their shared criticisms and musings—to this study of how Europe’s colonial past continues to shape our present both in the North and Southern spheres. Related Stories Hollywood Unions Warn of 25-Year Decline in U.S.

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Production Market Share The film, which was the first-ever Brazilian project to be supported by the Le Fonds de Dotation agnès b, a philanthropic fund created by famed fashion designer Agnès Troublé, was first conceived by the duo during the early days of the pandemic. Speaking with Variety ahead of their first screening in São Paulo, the filmmakers recall the many hoops they had to jump through in those first years of development.

Popular on Variety “It was tricky because we first began working on the project during the pandemic, and still under the Bolsonaro government, at a time when all resources were frozen; we no longer had a Ministry of Culture and our national film fund was practically nonexistent,” says Fidalgo. “This being a road trip movie made it even harder as we couldn’t travel freely at the time, so we spent those early years heavily in development, having lengthy conversations between the two of us but also with [our producers at] Gullane and other creatives.” As for how they decided on such a wide umbrella for a film and whether the scope of the subject ever felt daunting, Rodic says “of course,” but reiterates the “magic” of working on the project was realizing how he and Fidalgo had different perspectives on the subject but also “a strong connection.” “We shared cultural references, and we loved talking about the subject, too.

It was tricky at times, but t

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