Oscars Will ‘Always’ Reward Human Excellence in AI Era, Academy Chiefs Say as They Leave Door Open to International Feature Rule Tweaks (EXCLUSIVE)

Oscars Will ‘Always’ Reward Human Excellence in AI Era, Academy Chiefs Say as They Leave Door Open to International Feature Rule Tweaks (EXCLUSIVE) hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 27, 2026 8:48pm PT Oscars Will ‘Always’ Reward Human Excellence in AI Era, Academy Chiefs Say as They Leave Door Open to International Feature Rule Tweaks (EXCLUSIVE) By Naman Ramachandran Plus Icon Naman Ramachandran Latest Horror Film ‘The Land of Jinn’ Is First Indonesia-Kyrgyzstan Co-Production, Unveiled at Tokyo Gap-Financing Market 3 hours ago Ancestral Memory Meets AI in Himalayan Drama ‘Shirjara: Song of Grandmother’ at Tokyo Gap-Financing Market 4 hours ago Punk Band Guitar Wolf Rocks Back Into Takeuchi Tetsuro’s ‘Wild Zero Overdrive’ at Tokyo Gap-Financing Market 4 hours ago See All Add us as a Google Preferred Source Comments The Oscars will keep honoring human-driven work as AI spreads through filmmaking, Academy president Lynette Howell Taylor tells Variety in Tokyo, while the Academy’s leadership expects to keep refining the international feature rules in the first year of a new route that lets festivals qualify films. Howell Taylor, Academy CEO Bill Kramer , chief membership, impact and industry officer Meredith Shea and Amy Homma, director and president of the Academy Museum of Motion Pictures and Academy Collection, are in Japan for the Tokyo International Film Festival to meet members and filmmakers.

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“And so, even though there’s a lot of exciting advances that can enhance the audience’s experience through technology, at the center of it will always be humans driving that workflow.” She also flags “very real concerns around copyright and around transparency and disclosure” as factors in the Academy’s thinking. Under rules introduced for the 99th Oscars, a non-English-language film can now qualify for international feature without being its country’s official submission by winning the top prize at one of six festivals: the Golden Bear at Berlin, the Busan Award for best film, the Palme d’Or at Cannes, the World Cinema Grand Jury Prize at Sundance, the Platform Award at Toronto and the Golden Lion at Venice.

Asked whether eligibility could extend beyond the top prize at qualifying festivals, given that Andrey Zvyagintsev’s “Minotaur” nearly missed out after winning the Grand Prix rather than the Palme d’Or at Cannes, before France selected it as its submission, Shea says: “Each year, the International Feature Executive Committee will review the rules to ensure that they match industry standards. We were so proud this year to have the six festivals and the six highest honors from major international film festivals, and the committee will look at the rules to see how they need to make improvements and different edits just to ensure that it represents global filmmakers.” Shea notes that festival qualification is not new for the Academy.

The three shorts categories – animated, documentary and live action – already use qualifying festivals, as does documentary feature. The initial six festivals for international feature were picked according to their submission numbers and their reach around

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