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- Nov 9, 2026 7:00am PT The Blue Wave Could Mean a Rising Tide for Songwriters — Here’s Why (Guest Post) By David Israelite Plus Icon David Israelite Guest Columnist Latest TikTok’s Dispute With Universal Music Proves Songwriters Are Still on an Uneven Playing Field: Guest Column 3 years ago The Problem With Digital Radio’s Payment System (Guest Column) 5 years ago The Case for the CASE Act, Which Provides Streamlined Copyright Protection for Songwriters (Guest Column) 6 years ago See All Add us as a Google Preferred Source Comments David Israelite is the president & CEO of the National Music Publishers’ Association, the trade association representing American music publishers and their songwriting partners.
- Variety welcomes responsible commentary, please send ideas to [email protected] .
- The political tidal wave that swept across America will have consequences far beyond Washington.
The Blue Wave Could Mean a Rising Tide for Songwriters — Here’s Why (Guest Post) hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 9, 2026 7:00am PT The Blue Wave Could Mean a Rising Tide for Songwriters — Here’s Why (Guest Post) By David Israelite Plus Icon David Israelite Guest Columnist Latest TikTok’s Dispute With Universal Music Proves Songwriters Are Still on an Uneven Playing Field: Guest Column 3 years ago The Problem With Digital Radio’s Payment System (Guest Column) 5 years ago The Case for the CASE Act, Which Provides Streamlined Copyright Protection for Songwriters (Guest Column) 6 years ago See All Add us as a Google Preferred Source Comments David Israelite is the president & CEO of the National Music Publishers’ Association, the trade association representing American music publishers and their songwriting partners. Variety welcomes responsible commentary, please send ideas to [email protected] .
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The political tidal wave that swept across America will have consequences far beyond Washington. For the music industry, and particularly for the songwriters and music publishers who create the songs that power it, the election is the beginning of a new era.
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Related Stories NFL to Face New Trial in Sunday Ticket Class-Action Lawsuit to Determine Financial Damages Democrats have captured control of both the House and Senate. A new, younger generation of lawmakers is coming to Washington.
This generation rode a growing sentiment that is skeptical of Big Tech – from AI to oligarchs who have had a stronghold on Washington. The Judiciary committees will have new leadership.
And the technology companies that have increasingly dominated our industry will face a very different political landscape. For songwriters, these changes present significant opportunities.
To be clear, songwriter issues do not favor any political party. Songwriters have a right to be paid fairly for their work.
That has always been a bipartisan cause. Our strongest champions have been both Republicans and Democrats.
Remember, the Music Modernization Act was introduced by Congressmen Hakeem Jeffries (D-NY) – the potential next Speaker of the House – and Doug Collins (R-GA). And that is precisely why this election creates such an interesting opportunity.
New leadership means new priorities. No Congressional committees matter more to the music industry than the House and Senate Judiciary Committees and their intellectual property subcommittees.
These lawmakers oversee copyright law, consider legislation affecting music licensing, and help determine how our intellectual property system adapts to new technology. With Democrats taking control of Congress, these committees will have new chairs, new agendas and new opportunities to examine issues that have too often been overlooked.
That does not mean our Republican champions will become unimportant. We have spent years building relationships with members of both parties who understand the value of American intellectual property.
Those relationships remain essential. But new leadership creates opportunities for new conversations, perspectives, and hopefully, new legislation.
No issue presents a greater long-term challenge to the creative community than artificial intelligence. And AI faces a new political reality.
The question is no longer whether AI will transform the music business. The question is whether the companies developing these technologies will be allowed to build their businesses on the work of human creators without permission or compensation.
For too long, the technology industry has promoted a dangerous proposition:
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