‘Wicker’ Edges ‘Primetime’ for U.K., Ireland Box Office Crown as ‘Godzilla,’ ‘Ramayana’ Loom

‘Wicker’ Edges ‘Primetime’ for U.K., Ireland Box Office Crown as ‘Godzilla,’ ‘Ramayana’ Loom hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 2, 2026 11:05pm PT ‘Wicker’ Edges ‘Primetime’ for U.K., Ireland Box Office Crown as ‘Godzilla,’ ‘Ramayana’ Loom By Naman Ramachandran Plus Icon Naman Ramachandran Latest Emraan Hashmi’s Musical Horror Film ‘Rooh’ Adds Tips Films and Tips Music (EXCLUSIVE) 2 hours ago New Indian Horror Lab Aims to Push Genre Past Ghosts and Comedy Hybrids (EXCLUSIVE) 5 hours ago New Japanese Animation Prize Named Nippon Anime Awards, Sets First Ceremony for November 2027 6 hours ago See All Add us as a Google Preferred Source Comments Black Bear’s period comedy “ Wicker ,” directed by Alex Huston Fischer and Eleanor Wilson and starring Olivia Colman, Alexander Skarsgård, Peter Dinklage, and Elizabeth Debicki, clinched the top spot at the U.K. and Ireland box office, debuting at No.

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1 with £1.76 million ($2.34 million). The film narrowly edged A24’s psychological thriller “ Primetime ,” directed by Lance Oppenheim and starring Robert Pattinson, Merritt Wever, Skyler Gisondo, and Phoebe Bridgers, which opened in second position by a razor-thin margin of just £10,141, collecting £1.75 million ($2.33 million).

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Related Stories ‘Barbara Forever’ Director Brydie O’Connor on Celebrating a Lesbian Icon Who Did It All – and Getting Support From Christine Vachon Todd Haynes on Pedro Pascal-Led ‘De Noche,’ What You Can’t See on Screen and the Radical Power of Love Lionsgate U.K.’s horror-comedy “Ghosts: The Possession of Button House,” which topped the chart in the previous session, moved to third place in its sophomore frame, adding $2 million to advance its cume to $8.45 million. Warner Bros.’ DC horror thriller “Clayface” followed in fourth position in its second outing, generating $1.6 million to lift its running total to $6.2 million.

Black Bear’s stop-motion animated adventure “Wildwood,” directed by Travis Knight, secured fifth spot in its second frame with $863,082, elevating its cumulative total to $3.7 million. Universal’s animated release “Forgotten Island” placed sixth in its third session, taking $829,708 for a gross of $6.8 million.

Paramount’s video game adaptation “Street Fighter” landed in seventh position in its third frame with £$637,615, pushing its total haul to $7.6 million. Studiocanal’s family animation “Shaun the Sheep: The Beast of Mossy Bottom” held eighth place in its seventh week, collecting $376,460 to raise its cume to £$7.6 million.

Sony Pictures’ psychological thriller “Verity” took ninth spot in its fifth frame, adding $353,635. The Colleen Hoover adaptation elevated its cume to $15.5 million.

Universal’s supernatural horror “Other Mommy” rounded out the top ten in its fourth session, generating $344,882 to take its running total to £$7.1 million. Outside the top ten, Mubi’s specialty drama “Fatherland” held firmly in the top 15 during its second weekend, taking $143,327 over the three-day frame to push its cumulative gross to $808,453.

The result saw the film overtake “Ida” to become director Paweł Pawlikowski’s second highest-grossing release of all time in the U.K. and Ireland, behind only his 2018 title “Cold War.” Looking ahead to the upcoming theatrical frame, early-week rollouts began on Monday with Firebreak Films’ protest documentary “We, The Hated,” directed by Rich Felgate.

Tuesday features Dreamz Entertainment’s Indian title “Fauji.” Mid-week releases on Wednesday include Disney drama “Wild Horse Nine”; Screenbound Pictures’ indie western “Dead Souls,” directed by and starring Alex Cox alongside Zander Schloss and Di

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