Georgia’s ‘Guria’ Wins Best Film at Asia Pacific Screen Awards as Thailand’s Sompot Chidgasornpongse Takes Director Prize

Georgia’s ‘Guria’ Wins Best Film at Asia Pacific Screen Awards as Thailand’s Sompot Chidgasornpongse Takes Director Prize hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 30, 2026 9:25pm PT Georgia’s ‘Guria’ Wins Best Film at Asia Pacific Screen Awards as Thailand’s Sompot Chidgasornpongse Takes Director Prize By Naman Ramachandran Plus Icon Naman Ramachandran Latest Ranbir Kapoor, Yash Light Up Gold House’s Diwali Event as Group Launches South Asian Shorts Fund 16 minutes ago Shah Rukh Khan, Kajol, Rani Mukerji, Salman Khan Starrer ‘Kuch Kuch Hota Hai’ to Mark 30th Anniversary at Edinburgh Film Festival With Karan Johar 18 hours ago ‘American History X’ Director Tony Kaye Takes On Leicester’s Giant Monsters in Short ‘Will You Still Love Me Tomorrow?’ (EXCLUSIVE) 18 hours ago See All Add us as a Google Preferred Source Comments Georgian filmmaker Levan Koguashvili’s “Guria” was named best film at the 19th Asia Pacific Screen Awards , handed out Oct. 30 at The Star Gold Coast in Queensland, Australia.

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Koguashvili shared the prize with fellow producers Olena Yershova and Boris Frumin. The film was made across seven countries: Georgia, Switzerland, Luxembourg, Bulgaria, Türkiye, Norway and Saudi Arabia.

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Related Stories ‘You Can See Everything’: That Shocking, Meta Twist With [SPOILER] Explained in Elizabeth Holmes Doc Elizabeth Holmes Mania: ‘You Can See Everything’ Drives 186% Viewership Spike for Amanda Seyfried’s ‘The Dropout’ (EXCLUSIVE) Thai director Sompot Chidgasornpongse won best director for “9 Temples to Heaven,” a co-production involving Thailand, Singapore, France, Norway, China, Hong Kong, Indonesia and Qatar. Myanmar’s Aung Phyoe received a special mention in the directing category for “Fruit Gathering.” Afghan director Shahrbanoo Sadat took the Jury Grand Prize for “No Good Men.” This year’s field comprised 36 nominated films from 32 countries and regions.

Nepalese actor Pushpa Thing Lama won best performance for “Elephants in the Fog,” and South Korea’s Sim Su-bin was named best new performer for “The World Before.” The screenplay award went to Rakan Mayasi, Wahid Ajmi and Pôl Seif for “Yesterday the Eye Didn’t Sleep,” backed by Belgium, Lebanon, Palestine, Qatar and Saudi Arabia. Vietnamese cinematographer Nguyễn Vinh Phúc won for “Hearing.” New Zealand’s Paloma Schneideman took best youth film for “Big Girls Don’t Cry,” produced by Vicky Pope and Thomas Coppell.

The animation prize went to “The Violinist,” a co-production between Singapore, Spain and Italy that was co-directed by Singapore’s Ervin Han and Spain’s Raúl García. Itab Azzam and Jack MacInness won best documentary for “One in a Million,” a U.K.-U.S.

film that follows the life of a Syrian refugee. Isabelle Kalandar, who both directed and produced “Another Birth,” received the Cultural Diversity Award for the Tajikistan, U.S.

and Qatar collaboration. Gowtham earned the Young Cinema Award, given with NETPAC, for “Members of the Problematic Family.” Malaysian filmmaker Haziqah Azemi won the Forum Filmmaker Award, run with The Post Lounge Group, for her project “Garek.” The story centers on a woman whose relationship is tested when she faces religious persecution after becoming pregnant outside marriage.

Azemi, who took part in the Griffith Film School and APSA Regional Reels program, came back to APSA this year after developing the project with mentoring from APSA Academy member Yulia Evina Bhara. Tracey Vieira, chair of the Asia Pacific Screen Awards, said: “From ‘Guria’ and ‘No Good Men’ to ‘Elephants in the Fog,’ this year’s winners remind us of the extraordinary stories emerging from our region and the importance

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