Thessaloniki Industry Awards: Georgian Road Movie ‘The Crossroad,’ North Macedonian Drama ‘They Bloom at Dawn’ Take Top Prizes

Thessaloniki Industry Awards: Georgian Road Movie ‘The Crossroad,’ North Macedonian Drama ‘They Bloom at Dawn’ Take Top Prizes hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 12, 2026 5:08am PT Thessaloniki Industry Awards: Georgian Road Movie ‘The Crossroad,’ North Macedonian Drama ‘They Bloom at Dawn’ Take Top Prizes By Christopher Vourlias Plus Icon Christopher Vourlias Latest Oliver Laxe on Overcoming His Fears, Making Films as an Act of ‘Prayer’ and Allowing His ‘Wounds’ to Drive Him to ‘Take the Leap’ 3 hours ago EbonyLife Group, Logical African Partners Launch $50 Million Fund to Support African Cinema (EXCLUSIVE) 6 hours ago Tribeca Prizewinner Darko Lungulov Wraps Production on Serbian Coming-of-Age Drama ‘1970’: ‘It Is a Story About Today’ (EXCLUSIVE) 2 days ago See All Add us as a Google Preferred Source Comments Georgian filmmaker Mari Gulbiani’s politically charged road movie “The Crossroad” and North Macedonian director Angela Dimeska’s female-centered drama “They Bloom at Dawn” took home the top honors at the Thessaloniki Film Festival ’s industry awards Wednesday night. Produced by Kate Kalandarishvili for Georgia’s Midifilm, Gulbiani’s fiction debut won the Two Thirty-Five Award, the top prize in the Agora’s Works in Progress section.

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The Crossroads Co-Production Forum, meanwhile, gave its top honors — the Frenel Post-Lab Post-Production Award — to Dimeska’s first feature, which is produced by Ognen Anton for North Macedonia’s Dream Factory. Related Stories From ‘World of Warcraft Forever’ Surprise to Le Sserafim, Simu Liu and T-Pain Appearances, How BlizzCon 2026 Set the Stage for Blizzard Entertainment’s Next Era “The Crossroad” follows a young Muslim woman who, shortly after her wedding, learns that her husband has disappeared.

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Accompanied by her mother-in-law, she sets out on an emotionally charged journey to find him, only to discover that he’s travelled to Syria to join ISIS. The jury praised the film “for its ambition to craft a road movie across arid lands marked by hostility; for its documentary-inspired perspective on the resilience of those women left behind by men, war and religion; and for its embrace of imagination as their most powerful weapon.” The top prize in the Crossroads Co-Production Forum went to “They Bloom at Dawn,” which follows a lost young woman seeking refuge in her grandparents’ lakeside village who must help her widowed grandmother save their threatened lake, forcing three generations of women to heal their fractured relationships and rediscover a sense of purpose.

“Life is full of surprises. It’s sad, it’s traumatic, but it’s also beautiful.

Like the nature it portrays, these characters will also renew themselves and find ways to support each other, even when they can’t find the words for it,” the jury said in its citation. “This is a project that has a strong visual potential and a story that will resonate across borders.

In fact, it’s a project that wants to break walls both in front of and behind the cameras, led by a director and a producer in sync, who moved us with their perfect pitch.” The winner of the Onassis Film Award, which offers a cash prize of €10,000 ($11,100) to a Greek project participating in the Agora Works in Progress strand, went to the psychological thriller “Mignon,” by Sofia Georgovassili. Praising the “compelling, sharp story about the end of innocence,” the jury wrote: “A bold film with a suffocating atmosphere, exploring the limits of human endurance, the abuse that fuels closed social systems, the intensity of teenage friendship, the impulse to take risks and the inner strength of the powerless.” The film, which also won the €3

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